Divertissements et quadrilles sous l'Empire et la Restauration
Identifieur interne : 001D23 ( Main/Exploration ); précédent : 001D22; suivant : 001D24Divertissements et quadrilles sous l'Empire et la Restauration
Auteurs : Alexandre Dratwicki [France] ; Cécile Duflo [France]Source :
- Revue de musicologie [ 0035-1601 ] ; 2004.
Descripteurs français
- Pascal (Inist)
- Wicri :
- topic : Musique.
English descriptors
- KwdEn :
- Aristocracy, Century 19, Court, Dance, Empire, Music, Opera, Restoration.
Abstract
At the beginning of the nineteenth century, the French Court is passionating herself for modern dances, concurrencing the Opera for the high level of the way people of the Court can dance. Two sorts of spectacle live together: the "divertissement", whose dancers are the artists of the Opera, and the "quadrille d'apparat", a typical French contredanse brilliantly executed for an audience by the aristocraty. Moreover, this audience can applause the talent of some instrumentalists who occur regularly during the spectacles. This musical "decorative concertant syle" became an essential part of the Régime étiquette during the Napoleonic empire as well as the Restoration period. This music, perfectly incorporated into the official guidelines, will disappear as a consequence of the political events of 1830 and the arrival of a new aesthetic movement, the Romanticism.
Affiliations:
Links toward previous steps (curation, corpus...)
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- to stream PascalFrancis, to step Curation: 000939
- to stream PascalFrancis, to step Checkpoint: 000377
- to stream Main, to step Merge: 001D78
- to stream Main, to step Curation: 001D23
Le document en format XML
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Two sorts of spectacle live together: the "divertissement", whose dancers are the artists of the Opera, and the "quadrille d'apparat", a typical French contredanse brilliantly executed for an audience by the aristocraty. Moreover, this audience can applause the talent of some instrumentalists who occur regularly during the spectacles. This musical "decorative concertant syle" became an essential part of the Régime étiquette during the Napoleonic empire as well as the Restoration period. This music, perfectly incorporated into the official guidelines, will disappear as a consequence of the political events of 1830 and the arrival of a new aesthetic movement, the Romanticism.</div></front></TEI><affiliations><list><country><li>France</li></country><region><li>Région Bourgogne</li></region><settlement><li>Rouen</li></settlement><orgName><li>Université de Rouen</li></orgName></list><tree><country name="France"><noRegion><name sortKey="Dratwicki, Alexandre" sort="Dratwicki, Alexandre" uniqKey="Dratwicki A" first="Alexandre" last="Dratwicki">Alexandre Dratwicki</name></noRegion><name sortKey="Duflo, Cecile" sort="Duflo, Cecile" uniqKey="Duflo C" first="Cécile" last="Duflo">Cécile Duflo</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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